All Jacopo Amigoni Oil Paintings
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Jacopo Amigoni Juno Receiving the Head of Argos oil painting


Juno Receiving the Head of Argos
Painting ID::  58203 		Artist: Jacopo Amigoni
Painting: Juno Receiving the Head of Argos
Introduction: Juno Receiving the Head of Argos (1730-32) Oil on canvas, 108 x 72 cm. Moor Park, Rickmansworth, Hertfordshire.
   
   
     

 

 

 
 

 

 

 
Jacopo Amigoni Venus and Adonis oil painting


Venus and Adonis
Painting ID::  67624 		Artist: Jacopo Amigoni
Painting: Venus and Adonis
Introduction: c. 1740 Oil on canvas 45 X 75 cm (17.72 X 29.53 in)
   
   
     

 

 

 
 

 

 

 
Jacopo Amigoni Venus and Adonis oil painting


Venus and Adonis
Painting ID::  67638 		Artist: Jacopo Amigoni
Painting: Venus and Adonis
Introduction: Technique Oil on canvas Dimensions 45 X 75 cm (17.72 X 29.53 in)
   
   
     

 

 

 
 

 

 

 
Jacopo Amigoni Full resolution oil painting


Full resolution
Painting ID::  67639 		Artist: Jacopo Amigoni
Painting: Full resolution
Introduction: Full resolution‎ (772 X 880 pixels, file size: 110 KB, MIME type: image/jpeg) Juno Receiving the Head of Argos
   
   
     

 

 

 
 

 

 

 
Jacopo Amigoni Barbara de Braganza oil painting


Barbara de Braganza
Painting ID::  67771 		Artist: Jacopo Amigoni
Painting: Barbara de Braganza
Introduction: 1750(1750) Oil painting
   
   
     

 

 

 
 

 

 

 
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     Check All Jacopo Amigoni's Paintings Here!
     1685-1752 Italian Jacopo Amigoni Galleries He was born in Naples or Venice. Amigoni initially painted both mythological and religious scenes; but as the panoply of his patrons expanded northward, he began producing many parlour works depicting gods in sensuous languor or games. His style influenced Giuseppe Nogari. Among his pupils were Charles Joseph Flipart, Michelangelo Morlaiter, Pietro Antonio Novelli, Joseph Wagner, and Antonio Zucchi. Starting in 1717, he is documented as working in Bavaria in the Castle of Nymphenburg (1719); in the castle of Schleissheim (1725-1729); and in the Benedictine abbey of Ottobeuren. He returned to Venice in 1726. His Arraignment of Paris hangs in the Villa Pisani at Stra. From 1730 to 1739 he worked in England, in Pown House, Moor Park and in the Theatre of Covent Garden. From there, he helped convince Canaletto to travel to England by telling him of the ample patronage available. From his travel to Paris in 1736, he met the celebrated castrato named Farinelli. Later in Madrid, he was to paint a self-portrait with the singer and entourage. He also encountered the painting of François Lemoine and Boucher. In 1739 he returned to Italy, perhaps to Naples and surely to Montecassino, in whose Abbey existed two canvases (destroyed during World War II). Until 1747, he travelled to Venice to paint for Sigismund Streit, for the Casa Savoia and other buildings of the city. In 1747 he left Italy and established himself in Madrid. There he became court painter to Ferdinand VI of Spain and director of the Royal Academy of Saint Fernando. He died in Madrid. . Related Artists to Jacopo Amigoni : | Alessandro Allori | Frederick spencer gore | Monedero, Angel Lizcano | johannes wilhjelm | NOTKE, Bernt |

 

 

 
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